Gozo

Joy tells us about the possibility of an almost sacred pleasure, that of doing nothing (or not doing so much, or not out of necessity). And the fragmented prose that shapes it displays, at the same time, a constellation of similar voices and thoughts -from Georges Perec to Susan Sontag, from Roland Barthes to Maggie Nelson- prepared for the revelation of what arises when, before ourselves, Facing the mirror of the sea, we finally give up and stop.